My work explores the liminal spaces between tradition and modernity, drawing from the rich visual heritage of the Himalayan region while engaging with contemporary global narratives.
Through painting, mixed media, and installation, I investigate how cultural symbols transform as they travel across borders and generations. Each piece is a meditation on impermanence — the way meaning shifts, dissolves, and reconstitutes itself in new contexts.
I am particularly drawn to the tension between preservation and evolution. My practice asks: what happens when sacred forms meet secular spaces? When ancient iconography encounters digital reproduction? These questions guide my studio work and inform my collaborative projects across South Asia and beyond.
Art, for me, is not merely representation — it is a living dialogue between past and present, between the visible and the unseen.